When I saw this feature pop up for a one night showing at a local independent theatre, the one line description of "A dominatrix gains the ability to communicate with the dead after huffing a mysterious aerosol can" got my attention for 'Why would you start with that premise and what are you wanting to explore with that?'
And the film appears to have spent the majority of its small budget on sets, props, and wardrobes, all of which had extreme contrast in aesthetic colors. But even as the editing style occasionally decided to go for a trippy and disorienting strobe effect, the film feels like it fits its intended purposes for its niche and target audience. It was interesting to see this film in a room of other people who felt seen and understood by the intentional visual cues and jokes through recognition and appreciation. For a stylistic choice, most of the brands throughout the movie are shown in pastel with words describing their contents. Some set pieces look uniquely distressed or modified, like a CRT TV set covered in a mane of white around the screen with shaving cream or flattened cotton balls. Or a store with the corporate tag of "Glamhag" which is also the name of the film's production company.
The cast and crew of this film looked like they were having a blast making it, as they delivered dialogue to one another in familiar tones and affects, like a group of friends deciding to amplify their mutual theatrical amusements with drama and posing. And the film's premise is absurd and plays in a heightened alternate world and setting apart from what feels connected to daily reality. But this filter on reality within the film underscores the tone of feeling like an alien having to process what normal would look like, with hypermundane branding of everyday items, and extravagant costuming. There are musical and dance performances being part of the fabric of what the film wants to display. There are extended set pieces and tangents which show flashback scenes and backstory of what drew the characters in the film to seek solace in deep and old wounds, roleplaying the scenarios to process, console, and control what had affected them.
At times the film feels extremely raw and intimate, like it is too much to display in terms of emotional and personal traumas being aired out like sticky clothing on a humid day. It is imperfect and fantastical in its dreams and yet leans into these areas even when difficult conversations must be had to resolve the characters' conflicting desires, and needing to reach out to others from humility for guidance.
Will I watch this again? Probably not, but it shows a world and perspective with an open hand and heart, one which asks some questions of joy, acceptance, and resistance against convenient conventions. The characters are messy, but delighted to participate in community with each other. It feels like a movie you would make with your talented friends and a ridiculous idea which made you laugh together and try to chase and tease out what it could do and where it could go. Speaking to the dead doesn't really go anywhere, but the experience and environment make a haunted impression of annoyed dynamically static landscape.
A canned response heard
An unusual echoed hum
When struck and blown out
